What must Thomas Cole have seen when, in 1825, he first gazed upon the Hudson River Valley for the first time, and later as he ventured into the Adirondacks? The natural beauty is stunning, just begging to be put on canvas. Or Albert Bierstadt, upon leaving his native northern Germany and crossing the American continent, to gaze upon the Rockies and all the way to the great Sierras of California? Or Walt Whitman, who in traveling across this great land, found his heart bursting with the beauty of America and so brilliantly put it to verse?
To the first explorers, settlers, farmers, artists who arrived from Europe, America was a blank canvas begging to be put to story and verse, to be painted and built upon a style that was uniquely American. And that they did.
America was all ambition, the promised land; it was the Garden of Eden remade, the City on a Hill, biblical — almost literally — or seen that way by the early arrivals and into the 19th Century. America was truly formed in the 1800’s, from birth to tumult and war, to the Golden Age of American growth and destiny. America became itself as the 19th Century closed. All the promise, the dreams, the unrealized potential, the stunning growth of our great country is an astonishing story unlike that of any other nation or people in world history.
How this was portrayed, written, painted, designed and put to verse and song is an untold story that begs to be told. And given the attacks that American culture faces today, it desperately needs to be told.
America excelled in the areas of art, architecture, literature and poetry in a way that is at least the equal of the Europe that we came from. Just to cover one of these areas — art — gives us a glimpse of this incredible beauty that is vital to our history and of the American story.
Thomas Cole and Albert Bierstadt are just two of the world-renowned artists that painted America in the 19th Century. They, along with Frederic Edwin Church, Asher Brown Durand, and so many others majestically put to canvas the beauty of the American landscape and at their very best are at least the rival of the great English landscape artists John Constable and J.M.W. Turner. But how many of today’s students even know these names?
Cole, one of the founders of what became known as the Hudson River School movement, saw as his mission to create an “American” landscape vision and literary voice that was based on the exploration of nature – the natural world defined as a resource for spiritual renewal and as an expression of cultural and national identity.
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Author: Ruth King
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