The good news for Warner Bros./DC Studios is that its new Superman movie is quickly becoming a cultural touchstone, the standard by which all future superhero movies will be judged. The bad news is that it’s the low-end benchmark, representing the absolute worst that a superhero movie can be while not going straight to streaming. Director James Gunn is suddenly the Mario Mendoza of action filmmaking, and his Superman denotes the Mendoza Line, the trough of superhero futility. Or, as political commentator Ben Domenech put it, “This movie absolutely, totally sucks. The CGI sucks. The writing sucks. The cast, which is, for the most part, much higher quality than the material, sucks…. I’ve seen a lot of superhero movies, and this one—given the level of investment involved, the promotional push, the iconic nature of the character, and the importance to the future of DC and Warner Bros.—is by far the worst.”
That’s unfortunate, but it’s not exactly surprising. Gunn had been dropping hints for some time that he was worried the movie would be poorly received and would tank as a result, possibly taking DC Studios down with it. A couple of weeks ago, Gunn, apparently fearing that his Superman would be ignored, did what any self-important movie director would do in such circumstances: he decided to gin up some controversy by insulting his audience. Any publicity is good publicity in the film business, after all, and so Gunn went full “Hollywood liberal,” telling The Times of London that “Yes, [Superman is] about politics.” Moreover, he continued, it’s about politics that are likely to ruffle some feathers in the nation’s culturally and politically conservative heartland. “Superman is the story of America—an immigrant that came from other places and populated the country, but for me it is mostly a story that says basic human kindness is a value and is something we have lost.” Ah, yes. There you have it. Caring about national borders or wanting immigration law enforced makes one unkind—or even inhuman. Take that, Trumpers and ICE!
Conservatives are likely to gloat about the results of Gunn’s publicity stunt. “Go woke, go broke,” many will chortle at the movie’s failure. If the guy had focused more on making a good film and less on injecting politics into it and abusing his customers, he might have created something that didn’t “absolutely, totally suck.”
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Author: Ruth King
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