President Biden awarded the Presidential Medal of Freedom to 19 Americans this month. I wish he had cut the list down to two or three. Perusing the list of winners I note, along with a preponderance of Democratic politicians, the heavy hand of diversity at work, making certain that among the winners are included a sufficient number of women, African-Americans, Hispanics and even a Republican (Elizabeth Dole).
The result of so many medal winners is to diminish, if not altogether destroy, the cachet the honor once held. Another once-vaunted prize bites the dust.
The Presidential Medal of Freedom joins the Nobel Prize for Literature, which long ago lost its luster. When it went to Bob Dylan in 2016, what prestige remained was all but blown away. His songs have nothing to do with literature, and most, in any case, are derived from Woody Guthrie. I await the day the Swedish Academy decides to recognize that notable speed typist Joyce Carol Oates, which ought to finish the prize off completely.
The Pulitzer Prizes in the arts haven’t done much better. Some years ago in the London Times Literary Supplement, I noted that these awards seem to go to two kinds of people: those who don’t need it and those who don’t deserve it. In 1998, when Katharine Graham won a Pulitzer for her autobiography, Hilton Kramer noted that she qualified on both grounds. The prize’s prestige has also all but evaporated.
Then there are honorary degrees, which long ago lost their honor. Universities often give them to the wealthy, hoping the recipients will make handsome financial contributions. My friend Sol Linowitz told me he collected 63 such degrees while chairman of Xerox. The thick-fingered hand of diversity is felt here, too. Good luck finding a list of honorary degrees these days that doesn’t include at least two African-American women.
The National Book Award, especially for novelists, once had great prestige. To win one meant that a novelist had truly arrived—or so Saul Bellow, Ralph Ellison, William Styron, Philip Roth and other novelists of that era must have felt. Today you’d be hard-pressed to name any novelist who has won a National Book Award in the past decade, which may have something to do with the loss of interest in the contemporary novel generally.
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Author: Ruth King
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