Nina Jankowicz has returned to the public stage in what can only be described as a whirlwind of irony and strategic deflection. Once the controversial figurehead of the now-defunct Disinformation Governance Board, Jankowicz has resurfaced with a new title, a new mission, and an eerily familiar tone. But the sheen of “expertise” she tries to polish is dulled by a growing track record of selective outrage, ideological targeting, and partisan double standards.
After her unceremonious exit from the Department of Homeland Security’s short-lived “Ministry of Truth,” Jankowicz made headlines by registering as a foreign agent and launching the American Sunlight Project—an entity ostensibly created to “combat disinformation.” But the initiative’s mission, tone, and track record suggest otherwise. Rather than serving as a neutral bastion of truth, ASP focuses disproportionately on right-leaning targets, as confirmed by Jankowicz’s own framing in The New York Times, where she alleged that conservatives were engaged in a “coordinated campaign” to undermine disinformation researchers.
Reminder that Nina Jankowicz is the show tune singing devil.
Our pressure took down @wiczipedia. We can win. Never let up. https://t.co/t3T6QbCLV8 pic.twitter.com/uw7AvDtIfE
— goomba (@o____principe) May 23, 2024
That starting premise reveals the tilt: disinformation, according to this doctrine, flows in only one direction. And anyone who questions the left’s favored narratives? Automatically suspect.
If the American public had grown wary of her domestic crusades, Jankowicz found more receptive ears across the Atlantic. Invited to testify before the European Parliament’s Democracy Shield Committee, she chose not only to discuss Russian influence operations but also launched an astonishing rebuke of the United States itself—characterizing it as a creeping autocracy. This, while urging EU leaders to “stand firm” against anticipated U.S. pressure, as if the Trump administration were a greater threat to European democracy than the Kremlin.
Before she was a fierce feminist color revolution debunker, Nina Jankowicz sang erotic Harry Potter songs. I don’t use the word Renaissance Woman too often… pic.twitter.com/46nUGCB67H
— Ironic Effort Poster (@IronicEffort) September 26, 2020
In doing so, Jankowicz exposed a revealing contradiction: she rails against supposed censorship but applauds efforts to control dissenting viewpoints—so long as those viewpoints don’t align with her own.
Jankowicz’s recent legal loss against Fox News further cements this narrative. Her defamation case, dismissed due to a failure to plausibly prove falsehood, affirmed that her past position indeed had censorship functions. Yet despite the ruling, she maintains the illusion that her work was apolitical, even patriotic—asserting in congressional testimony that government censorship is “a fiction.” This narrative pivot might play well in elite media circles, but it collapses under judicial scrutiny and public skepticism.
Nina Jankowicz is a model managerial elite: credentialed, versed in therapeutic language, a personality derived from Marvel/Disney/Harry Potter, and beneath a thin smiling veneer, absolutely vicious and totalitarian https://t.co/fsMzMIbMzV
— Pedro L. Gonzalez (@emeriticus) April 29, 2022
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Author: Mark Stevens
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