Let the Hosannas ring forth: Fredric Jameson, one of the world’s most owlish producers of reader-proof prose of a Marxian bent, has just shuffled off his mortal coil, age 90. The New York Times was quick off the mark with a fawning obituary. Duke University, where Jameson emitted his signature brand of academic “anti-capitalist” fog for many years, actually lowered the campus flags to commemorate the passing of this maven of Marxist muddle. (I put editorial quotation marks around “anti-capitalist” because, like so many of his academic brethren, Jameson railed against capitalism, “bourgeois individualism,” etc., while eagerly lapping up their benefits.)
I last thought about Jameson in the 1990s when I wrote an essay about him for The New Criterion. I thought it might be worth reprising, with a few alterations, now that he has gone to his worker’s paradise.
I began with an epigraph from the master himself:
It is rather the essential “innocence” of intellectuals which is here in question: this private inner game of theoretical “convictions” and polemics against imaginary conceptual antagonists and mythic counterpositions, … of passionate private languages and private religions, which, entering the field of force of the real social world, take on a murderous and wholly unsuspected power.
—Fredric Jameson, Fables of Aggression
Among the stars that twinkled in the academic firmament of the 1990s and after, none twinkled more formidably than the Marxist literary critic Fredric Jameson. Having taught at Harvard, Yale, and at various campuses of the University of California, Professor Jameson, who died on September 20, was for many years ensconced at Duke University — that favored perch for so many academic twinklers — where he was William A. Lane Professor of Comparative Literature and Director of both the Graduate Program in Literature and the Duke Center for Critical Theory.
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Author: Ruth King
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