Catesby Leigh A Stirring Monument to America’s Warriors Sabin Howard’s A Soldier’s Journey brings a cinematic approach to the Great War—and defies the arrogance of Washington’s cultural elites.

https://www.city-journal.org/article/stirring-monument-to-americas-warriors

Sabin Howard’s engrossing 38-figure, high-relief sculpture—the centerpiece of Washington’s new National World War I Memorial, situated on Pennsylvania Avenue just east of the White House and Treasury Department—takes a cinematic approach to sculptural narrative. It commemorates a civilization-transforming conflict in which 116,516 Americans were killed and 204,000 wounded. The several scenes in what Howard calls his “movie in bronze,” portraying a soldier’s departure from home and family for war and its horrors and then his return, unfold from left to right in a work nearly 60 feet wide.

Entitled A Soldier’s Journey, the sculpture is noteworthy for several reasons. Its kinetic design, with changing tempos and moods and a range of character types, seems to resonate with visitors. In remarks at the memorial’s inauguration on September 13, Howard said that his sculpture heralds “an American cultural Renaissance.” There’s also a polemical edge to his public discourse, as when he told the historian Victor Davis Hanson in a recent podcast interview that the “art world” treats the public the way the government does.

Credit: Photo Courtesy of Catesby Leigh

A Soldier’s Journey appears at a time of growing aversion to elite arrogance and incompetence of the kind that foisted on the public Frank Gehry’s bloviated, $150 million Dwight D. Eisenhower Memorial (2021), with its rigid, lifeless statuary groups and enormous, unfathomable background tableau of metallic squiggles supposedly resembling the Pointe du Hoc. Back in 2018, Howard and the World War I memorial’s young architect, Joseph Weishaar, confronted such art-world arrogance when their project ran into headwinds at the federal Commission of Fine Arts, one of the guilty parties in the Ike memorial fiasco. The $44 million World War I memorial, mostly paid for with private funds, could wind up fortifying public opposition to boondoggles like Gehry’s, for which the American taxpayer got stuck with the bill.